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Six works mapping psychological pressure as structure

Completed 2022

B*tch Chaos

woman raising both arms with stripe light color

B*TCH CHAOS is a six-work sequence examining psychological pressure as a structural condition. Each work isolates a distinct internal force, constriction, recursion, visibility, performance, recognition, residue, and renders it through a consistent formal methodology of fragmentation, repetition, compression, and containment.

Faces fracture. Eyes repeat. Planes collapse under sustained force. These elements function architecturally, shaping each composition from within. The work does not resolve. Tension is sustained as both subject and method.

This series marks the artist’s first complete articulation of a coherent visual system. Individual works operate independently, while the full sequence reveals a continuous internal logic structured through repetition and constraint.

Completed in 2022, the series enters public release as a foundational body of work within an evolving practice defined by formal discipline and conceptual rigor.

woman illustration painting
01 · Breathing Through the Narrowest Point

Constriction as condition. Thought collapses inward.

02 · Thorn Trap
03 · The Weight of What They See

Recursive fixation. Pressure without exit.

Visibility as force. Observation alters structure.

the works

04 · The Quiet Costume of Survival

Performance as architecture. Function layered over fracture.

05 · Imperfect Mirror
06 · Bones of Becoming

Reflection as pressure. Recognition produces reconfiguration.

Residue as foundation. Structure remains after collapse.

Printed on Japanese museum-grade matte paper using archival water-based inkjet processes. The non-reflective surface prioritizes tonal fidelity and long-term stability.

Each print is produced individually. The artist’s digital signature is embedded within the image file. Available in multiple sizes. Specific dimensions and pricing are listed on individual work pages. Open edition. Select works may also be available as digital originals.

MATERIAL

B*TCH CHAOS is conceived as a modular system. Individual works may be acquired independently or positioned across the sequence. Multiple acquisitions reveal the full structural logic of the series.

This body of work marks an early and defining moment within the artist’s practice. Collectors engage with the formation of a visual language that continues to evolve through subsequent work.

COLLECTOR CONTEXT

woman illustration painting

Ownership is recognition, not acquisition.